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Iran History

Elam (Igihalkid dynasty)

Untash-Napirisha

اونتاش‌ناپیریشا

Reign
c. 1340–1300 BCE
Dynasty
Elam (Igihalkid dynasty)
Persian page
فارسی

Featured dossier

Untash-Napirisha: a king who spoke in bricks

King of Anshan and Susa, builder of the city of Al-Untash-Napirisha and the Chogha Zanbil ziggurat, the largest known ziggurat outside Mesopotamia. We know him almost only from inscribed bricks and statues, so this dossier leaves silent what the sources leave silent. Follow his works on the animated map, then weigh his reign through a property-rights lens, with evidence, interpretation and modern meaning in three separate layers.

side of the ziggurat
105 m
original height (reconstructed)
~53 m
gods with rebuilt temples at Susa
~18
UNESCO World Heritage listing
1979

Animated map: works and alliances

1340 BCE · King of Anshan and Susa1338 BCE · Marriage alliance with Kassite Babylon1335 BCE · Rebuilding the temples of Susa1332 BCE · Founding Al-Untash-Napirisha1328 BCE · The Inshushinak temple court1320 BCE · The five-stage ziggurat1315 BCE · Napirisha and Kiririsha join Inshushinak1310 BCE · The statue of Queen Napir-Asu1305 BCE · The “Immeriya” statue: campaign or gift?1300 BCE · A city left unfinished1340 BCE
Routes are approximate editorial sketches, not exact tracks. Coastlines: Natural Earth (public domain).

BattleCampaignBuildingAdministration & economyReligionArrow keys, Home/End and Space work.

Three separate layers

Each section has three layers: “Historical evidence” is only what the sources say; “Philosophical interpretation” is our reading by the standard of property and liberty; “Modern cultural meaning”. Quotations come only from published translations, with references.

Historical evidencePhilosophical interpretationModern cultural meaning

Dossier · 1

Lineage and legitimacy

Historical evidence

Untash-Napirisha was the son of Humban-numena and styled himself “king of Anshan and Susa”. The “Berlin Letter”, a later Babylonian text, makes him a son-in-law of the Kassite king Burnaburiash.

That synchronism dates his reign to c. 1340–1300 BCE; a lower chronology, c. 1275–1240 BCE, still appears in some sources, including UNESCO.

Philosophical interpretation

The double title is a political claim: the Middle Elamite kingdom rested on two pillars, the Susa plain and the Anshan highland, and the king had to embody both. Marriage into the Babylonian house placed him in the club of great kings of the age.

Modern cultural meaning

Legitimacy drawn from blood and gods rather than consent turns the right to rule into family property: the earliest long-lived pattern of politics on the Iranian plateau.

Sources: The Encyclopedia of Ancient History: Asia and Africa (Wiley) · Encyclopaedia Iranica · E. Carter and M. W. Stolper · UNESCO World Heritage Centre

Dossier · 2

The city and the ziggurat

Historical evidence

He founded Al-Untash-Napirisha about 40 km south-east of Susa: three enclosure walls, a sacred precinct, a royal quarter with palaces and underground tombs, and a water reservoir. The 105 m ziggurat went up in two phases, and every eleventh brick course bears a dedication.

The site was identified in 1936, excavated by Ghirshman from 1951 to 1962, and inscribed on the UNESCO World Heritage List in 1979.

The Chogha Zanbil ziggurat today; less than half its original height survives
The Chogha Zanbil ziggurat today; less than half its original height survives · Shahrzad Fattahi, CC BY-SA 4.0
Model reconstruction of the ziggurat: a reconstruction, not evidence
Model reconstruction of the ziggurat: a reconstruction, not evidence · Jona Lendering, CC0
A ziggurat doorway with its lock emplacement; the lower rooms stored valuables
A ziggurat doorway with its lock emplacement; the lower rooms stored valuables · Adam Jones, CC BY-SA 2.0
Philosophical interpretation

A city built almost from nothing and left mostly empty was a statement of royal power more than an answer to residents’ needs. Ghirshman and Carter see it as a ritual and royal centre, not a commercial town.

Modern cultural meaning

Cities planned from above, from Al-Untash to modern capitals, are often abandoned after their founders; cities that grow from people’s free exchange tend to last.

Sources: E. Carter · R. Ghirshman · R. Ghirshman · UNESCO World Heritage Centre

Dossier · 3

Economy, labour and markets

Historical evidence

Millions of baked and glazed bricks, ceramic knobs, glass and glaze were produced on site; kilns and workshops have been found in excavation. Store-rooms in the ziggurat’s lower levels held valuables.

No text of his reign about markets, prices, wages or private contracts survives. Our economic evidence is the buildings themselves.

A human footprint in a ziggurat brick: a trace of workers whose names are lost
A human footprint in a ziggurat brick: a trace of workers whose names are lost · Adam Jones, CC BY-SA 2.0
Glazed door plaque from Chogha Zanbil naming Untash-Napirisha, British Museum
Glazed door plaque from Chogha Zanbil naming Untash-Napirisha, British Museum · Osama Shukir Muhammed Amin, CC BY-SA 4.0
Philosophical interpretation

A project like this required a large mobilisation of labour and materials, probably as corvée or ration labour run by temple and palace. That is an inference, not a statement in the texts.

Modern cultural meaning

Every brick fired for a royal monument was a brick not fired for a family’s house. The opportunity cost of grand projects is always paid by people whose names are not on the bricks.

Sources: R. Ghirshman · E. Carter · D. T. Potts

Dossier · 4

Religion: gods of plain and highland

Historical evidence

The ziggurat was dedicated first to Inshushinak, god of Susa, and then to Inshushinak and Napirisha. Temples to many gods, Kiririsha among them, were built around it. At Susa he built or rebuilt temples for about eighteen gods.

Philosophical interpretation

Miroschedji and Vallat read the gathering of lowland and highland gods in one precinct as a policy to unify the kingdom; others see mainly the king’s personal piety. The inscriptions do not state a motive.

Modern cultural meaning

Gathering the gods in the king’s capital makes religion a tool of political unity. Religious liberty begins when faith is taken out of the state’s hands.

Sources: Encyclopaedia Iranica · P. de Miroschedji · The Encyclopedia of Ancient History: Asia and Africa (Wiley) · M.-J. Steve

Dossier · 5

Law and property: curses instead of courts

Historical evidence

No law code of his survives. What survives are curse formulae on statues and dedications that consign anyone who tampers with them to the gods’ anger. The Napir-Asu statue and his own statue Sb 62 carry such curses.

I, Napir-Asu, wife of Untash-Napirisha. He who would seize my statue, who would smash it, who would destroy its inscription, who would erase my name, may he be smitten by the curse of Napirisha, of Kiririsha, and of Inshushinak, that his name shall become extinct, that his offspring be barren, that the forces of Beltiya, the great goddess, shall sweep down on him. This is Napir-Asu’s offering.

Bronze statue of Queen Napir-Asu, wife of Untash-Napirisha, Louvre Sb 2731
Bronze statue of Queen Napir-Asu, wife of Untash-Napirisha, Louvre Sb 2731 · Shonagon, CC0
Philosophical interpretation

A curse protects property in a world without police or independent courts: it guards ownership (here, a god’s dedicated object and the queen’s name) with the threat of divine punishment, which reaches the thief’s descendants and name.

Modern cultural meaning

The demand for secure property is visible in the plateau’s earliest texts. Civilisation’s next step was to replace fear of the gods with general rules and impartial courts, and to punish the wrongdoer rather than his children.

Sources: P. O. Harper, J. Aruz and F. Tallon (eds.) · Musée du Louvre · Musée du Louvre

Dossier · 6

Army and foreign relations

Historical evidence

No campaign of his is securely recorded. Relations with Kassite Babylon rested on marriage. The inscription of an Immeriya statue from Kassite territory is the only possible hint of conflict, and its reading is disputed.

Philosophical interpretation

Vallat reads the text as homage to Burnaburiash and Durand takes “Immeriya” as a votive name; other scholars have suggested a raid on Babylonia. On this evidence he cannot be called either a warrior or a peacemaker.

Modern cultural meaning

Peace through exchange and alliance is cheaper than war; but when the alliance is between two royal houses, peace remains the kings’ property rather than the people’s right.

Sources: F. Vallat · J.-M. Durand · The Encyclopedia of Ancient History: Asia and Africa (Wiley) · D. T. Potts

Dossier · 7

Women and individual freedoms

Historical evidence

We have almost no texts on ordinary people’s lives in his reign. Queen Napir-Asu, with a statue in her own name and an inscription naming her as the donor, is the most prominent named individual besides the king.

Philosophical interpretation

That the queen makes a dedication and lays a curse in her own name shows that Elamite royal women could own property and act in religion. It cannot be generalised to ordinary women.

Modern cultural meaning

The sources’ silence about ordinary people is itself evidence: in an order revolving around king and god, an individual enters history only when they own something in their own name.

Sources: P. O. Harper, J. Aruz and F. Tallon (eds.) · Musée du Louvre · D. T. Potts

Dossier · 8

Legacy

Historical evidence

The city was left unfinished after him, though the sacred precinct and underground tombs stayed in use for centuries. Ashurbanipal devastated the region around 640 BCE. Today the Chogha Zanbil ziggurat is one of the best-preserved ziggurats anywhere.

Philosophical interpretation

When the city was abandoned is debated: Carter describes pilgrimage and burial use to about 1000 BCE, while UNESCO links the final destruction to Ashurbanipal.

Modern cultural meaning

What survives of Untash-Napirisha is the handiwork of thousands of nameless builders. Admiring the ziggurat is admiring their skill, not necessarily the order that set them to work.

Sources: E. Carter · UNESCO World Heritage Centre

Philosophical interpretation

Synthesis: a king who spoke in bricks

We know Untash-Napirisha almost only through his buildings and dedication inscriptions. He left no law code and no war report; he left a city bearing his name and a ziggurat still standing on the Khuzestan plain.

Through a property-rights lens his reign has two faces. The curse formulae show that the demand for secure property is present in the oldest layers of Iranian history. But that security belonged to gods and the royal house and rested on fear, not on law for everyone. The distance from this order to a rule of law is the road Iranian history travelled after him.

Bibliography

  1. E. Carter, Čoḡā Zanbīl, Encyclopaedia Iranica (updated 2017) (1992). https://www.iranicaonline.org/articles/coga-zanbil/Archaeological account of the city, ziggurat, temples, royal quarter and underground tombs.
  2. Encyclopaedia Iranica, Ziggurat (online). https://www.iranicaonline.org/articles/ziggurat/Gives both datings of the reign (c. 1340–1300 or c. 1275–1240 BCE) and the ziggurat’s building phases.
  3. UNESCO World Heritage Centre, Tchogha Zanbil (property 113, inscribed 1979) (1979–). https://whc.unesco.org/en/list/113/
  4. The Encyclopedia of Ancient History: Asia and Africa (Wiley), Untash-Napirisha (2021). https://doi.org/10.1002/9781119399919.eahaa00060Genealogy from the “Berlin Letter”, the Burnaburiash synchronism, and the rebuilding of temples for about eighteen gods at Susa.
  5. R. Ghirshman, Tchoga Zanbil (Dur-Untash) I: La ziggurat (MDAFI 39) (1966).
  6. R. Ghirshman, Tchoga Zanbil (Dur-Untash) II: Temenos, temples, palais, tombes (MDAFI 40) (1968).
  7. M.-J. Steve, Tchoga Zanbil (Dur-Untash) III: Textes élamites et accadiens de Tchoga Zanbil (MDAFI 41) (1967).
  8. E. Carter and M. W. Stolper, Elam: Surveys of Political History and Archaeology (1984).
  9. D. T. Potts, The Archaeology of Elam: Formation and Transformation of an Ancient Iranian State (1999 (2nd ed. 2016)).
  10. P. de Miroschedji, Le dieu élamite Napirisha, Revue d’assyriologie 74 (1980).
  11. F. Vallat, L’hommage de l’Élamite Untash-Napirisha au Cassite Burnaburiash, Akkadica 114, 109–117 (1999). https://akkadica.ugent.be/article/id/100473/
  12. J.-M. Durand, Note in NABU 2000/39 (on the Immeriya statue inscription) (2000).
  13. P. O. Harper, J. Aruz and F. Tallon (eds.), The Royal City of Susa: Ancient Near Eastern Treasures in the Louvre (Metropolitan Museum of Art), cat. no. 83 by F. Tallon (1992). The published English translation of the Napir-Asu statue curse is quoted from this entry.
  14. Musée du Louvre, Statue de la reine Napirasu, Sb 2731 (collections online). https://collections.louvre.fr/en/ark:/53355/cl010176829
  15. Musée du Louvre, Statue (fragment) of Untash-Napirisha, Sb 62 (collections online). https://collections.louvre.fr/ark:/53355/cl010174486

All photos are from Wikimedia Commons; licence and author were checked on each file page.

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